This my next novel published by Baen and distributed world-wide by Simon & Schuster in July 2013.
The superb artwork was by Dave Seeley and the layout was by the talented Jennie Faries who also laid out Into The Hinterlands.
The blurb is below:
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Description
Contemporary fantasy adventure. An ordinary
young woman finds a haunting and dangerous world of demons and
shapeshifters on the streets of modern day London.
Urban fantasy in one of the world’s greatest cities.
Rhian, a girl from the Welsh valleys on the run from tragedy and herself, finds a new home in the modern East End of London, where the world’s largest financial center spins a web of money and power from glistening towers of chrome and glass. Beneath the digital façade lurks the old East End where the layers of two thousand years of dramatic and violent history slide over one another like glaciers, spilling out in avalanches that warp the real world.
As bodies begin to litter the East End streets, The Commission dispatches its best enforcers to deal with the situation: Karla is not human, and Jameson left his humanity behind in pieces in Northern Ireland and Afghanistan. Rhian makes new friends, dangerous friends; and where Rhian goes, the wolf is always in her shadow, just a heartbeat away.
Among the bankers and traders of the East End walk demons in human form and who is to say which are the monsters? London is a magical bomb waiting to explode and somewhere a fuse is hissing.
About John Lambhead’s Lucy’s Blade:
“Swashbuckling heroines and romantic subplots.”—Publishers Weekly
About John Lambshead and David Drake’s Into the Hinterlands:
“Drake and Lambshead combine politics, military expeditions, and deep-space exploration into an intriguing tale…Recommended for all SF collections.” –Booklist
Urban fantasy in one of the world’s greatest cities.
Rhian, a girl from the Welsh valleys on the run from tragedy and herself, finds a new home in the modern East End of London, where the world’s largest financial center spins a web of money and power from glistening towers of chrome and glass. Beneath the digital façade lurks the old East End where the layers of two thousand years of dramatic and violent history slide over one another like glaciers, spilling out in avalanches that warp the real world.
As bodies begin to litter the East End streets, The Commission dispatches its best enforcers to deal with the situation: Karla is not human, and Jameson left his humanity behind in pieces in Northern Ireland and Afghanistan. Rhian makes new friends, dangerous friends; and where Rhian goes, the wolf is always in her shadow, just a heartbeat away.
Among the bankers and traders of the East End walk demons in human form and who is to say which are the monsters? London is a magical bomb waiting to explode and somewhere a fuse is hissing.
About John Lambhead’s Lucy’s Blade:
“Swashbuckling heroines and romantic subplots.”—Publishers Weekly
About John Lambshead and David Drake’s Into the Hinterlands:
“Drake and Lambshead combine politics, military expeditions, and deep-space exploration into an intriguing tale…Recommended for all SF collections.” –Booklist
Not sure about the body language of Rhian on that cover, but I'm interested.
ReplyDeleteNot Rhian, Paul, that's Karla. Beautiful, amoral, deadly Karla!
DeleteJ